{"id":76640,"date":"2026-11-07T16:33:39","date_gmt":"2026-11-07T16:33:39","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/11\/07\/richard-lloyd-televisions-virtuoso-guitarist-dead-at-75\/"},"modified":"2026-11-07T16:33:39","modified_gmt":"2026-11-07T16:33:39","slug":"richard-lloyd-televisions-virtuoso-guitarist-dead-at-75","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/11\/07\/richard-lloyd-televisions-virtuoso-guitarist-dead-at-75\/","title":{"rendered":"Richard Lloyd, Television&#8217;s Virtuoso Guitarist, Dead at 75"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tRichard Lloyd, the <a href=\"https:\/\/www.rollingstone.com\/t\/television\/\" id=\"auto-tag_television\" data-tag=\"television\">Television<\/a> co-founder and guitarist who helped bring a deft virtuosity to punk\u2019s stripped-down fury, has died at the age of 75.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLloyd\u2019s family said in a statement that the guitarist died Saturday morning at his home in Chattanooga, Tennessee. \u201cHis loving wife Sheila and his dog Willie Mays were with him at the end,\u201d his family said in a statement to <em>Rolling Stone<\/em>, adding that Lloyd died from Cholangiocarcinoma, a bile duct cancer.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLloyd was <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/television-guitarist-richard-lloyd-cancer-diagnosis-1235613776\/\">diagnosed with bile duct cancer<\/a> in March 2026. According to a GoFundMe set up to help Lloyd cover medical expenses and other costs, the guitarist developed tumors in his liver, including one that was so close to a major blood vessels, his doctors were unable to operate and remove it.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTelevision were one of the most innovative bands of punk\u2019s first wave, thanks largely to the twin <a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/tom-verlaine-television-marquee-moon-solo-tribute-1234670542\/\">guitar attack of Lloyd and frontman Tom Verlaine<\/a>. While many of their peers perfected a loud, fast pummel of power chords, Lloyd and Verlaine (who <a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/tom-verlaine-television-dead-obit-1234670298\/\">died in 2023<\/a>) developed an intricate interplay of riffs and licks, and never shied from spiraling into headier realms inspired by jazz, art-rock, and even jam bands.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLloyd and Verlaine\u2019s stellar guitar work anchored Television\u2019s <a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/marquee-moon-2-251950\/\">seminal debut<\/a>, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-lists\/best-albums-of-all-time-1062063\/television-marquee-moon-4-1063126\/\">Marquee Moon<\/a><\/em>, which was released in 1977. That album cemented Television\u2019s place in the punk pantheon, even though their output otherwise consisted of just two more albums, 1978\u2019s <em>Adventure<\/em> and 1992\u2019s <em>Television<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLloyd was born Oct. 25, 1951 in Pittsburgh, Pennsylvania and raised largely in New York City. His first instrument was the drums, but he was fascinated by the guitar and decided to switch after a \u201challucinatory experience.\u201d \u201cMy drums lost all their color \u2014 like in the <em>Wizard of Oz<\/em> in Kansas \u2014 and everything became grayscale,\u201d Lloyd wrote in his 2017 memoir, <em>Everything Is Combustible<\/em>. \u201cThe drums didn\u2019t sound good anymore, and I heard a voice \u2014 an auditory hallucination that told me, \u2018You need to play a melody instrument.\u2019\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of Lloyd\u2019s first guitar partners was Velvert Turner, a musician from Brooklyn, who himself was developing his guitar skills under the tutelage of Jimi Hendrix. After dropping out of high school, Lloyd moved to Boston, where he played with blues legend John Lee Hooker. He also spent some time traveling and living in Los Angeles, but eventually moved back to New York City and embedded himself in the proto-punk scene there.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tTelevision formed not long after Lloyd returned to NYC in 1973. His friend, the manager Terry Ork, took him to see Verlaine play at a club, and Lloyd knew instantly they would make a great musical pair. As he put it to <em>The Stranger<\/em> in 2015, \u201cI saw Tom play and I thought, \u2018He\u2019s got <em>it<\/em>.\u2019 And I knew I had <em>it<\/em>. But I was missing something and so was he. What he was missing, I could supply. And vice versa.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tExplaining what he had that Verlaine didn\u2019t, Lloyd continued, \u201cThe fleshing out of all the songs. All the filigrees and arabesques on <em>Marquee Moon<\/em> are all mine. Even though the solos are maybe different, during the verses, when Tom\u2019s singing, I\u2019m playing all the melody. I brought a rock &amp; roll heart.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tJoining Lloyd and Verlaine in the first iteration of Television was Richard Hell on bass and Billy Fica on drums. Hell eventually left and was replaced by Fred Smith, who\u2019d been playing with Blondie. The band soon became a fixture at legendary punk clubs like CBGB and Max\u2019s Kansas City. They released a debut single, \u201cLittle Johnny Jewel,\u201d in 1975, before signing with Elektra Records, which released <em>Marquee Moon<\/em> two years later.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tOne of Lloyd\u2019s most impressive contributions to <em>Marquee Moon<\/em> was his idea to double track some of his most intricate guitar parts. As he wrote in <em>Everything Is Combustible<\/em>, he thought it was \u201csad and pathetic\u201d to go into a recording studio and come out with a record that just sounded like a band playing live in a room. Wanting to give the record something extra, he insisted to Verlaine and co-producer Andy Johns that he could replicate the part he\u2019d laid down for \u201cVenus\u201d note-for-note to give the song more depth.\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Venus\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/dsOYZcP9o-4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cWhen I came back into the room they were saying they couldn\u2019t believe it, but it sounded perfect,\u201d Lloyd wrote. \u201cTom wanted me to do it on everything, but I knew that it was a kind of ear candy that should come in and out of the various songs to make it a real record. So, I refused to do it in some instances, and in others I did double or more.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tFor example, on \u201cGuiding Light,\u201d he laid down eight different guitar tracks \u201cwhich is why it sounds powerful and thick. I did my very best to make it a record \u2014 not a live document.\u201d\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDespite having the backing of a major label like Elektra, <em>Marquee Moon <\/em>failed to make a commercial dent, and the band\u2019s opening tour slot for Peter Gabriel scarcely created more fans. Not long after the release of <em>Adventure <\/em>in April 1978, the band broke up. The following year, Lloyd released a solo album, <em>Alchemy<\/em>, which earned some positive reviews, but also went nowhere commercially.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tDuring this time, Lloyd\u2019s drug use was spiraling out of control. In his memoir, the guitarist admitted to overdosing on numerous occasions, and compared his experiences in the early Eighties to the Great Depression. \u201cI could hardly draw people to gigs and I was thoroughly addicted to heroin,\u201d he wrote. It wasn\u2019t until 1984 that Lloyd got sober, and two years later he released a second solo album, <em>Field of Fire<\/em>.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLloyd would release seven more albums over the course of his career, including a live record, 1987\u2019s <em>Real Time<\/em>; a collection of unreleased material, 2010\u2019s <em>Lodestones<\/em>; and what would be his final solo album, 2018\u2019s<em> The Countdown<\/em>. He also toured regularly, worked as a session musician \u2014 including gigs with Matthew Sweet and X\u2019s John Doe \u2014 and gave guitar lessons.\u00a0<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhile Lloyd was part of Television\u2019s reunion in 1992 and rejoined the band again for a stint in the early 2000s, he left ahead of a 2007 tour commemorating the 30th anniversary of <em>Marquee Moon<\/em>. In that interview with <em>The Stranger<\/em>, Lloyd expressed frustration that the band wasn\u2019t focused on doing new things; he said that, after the release of their 1992 self-titled album, the band wrote and demoed eight songs, but nothing would likely come of them because Verlaine had \u201crun out of lyrics.\u201d\u00a0<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLloyd evinced a complicated relationship with Verlaine during his latter years. On the one hand, he would insist he loved Verlaine and wouldn\u2019t have spent 35 years in a band with him if he didn\u2019t, but also characterized him as difficult to work. Lloyd also remained upset that Verlaine took all of Television\u2019s publishing, even though Lloyd said he contributed significantly to the band\u2019s songwriting.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThough unafraid to voice these opinions, Lloyd insisted he wasn\u2019t bitter.\u00a0As he told <em>The Stranger<\/em>, \u201cI didn\u2019t get into this for the money. Some people did. I got into it to become a renowned guitarist who\u2019s made an irrevocable impact on rock &amp; roll history.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/richard-lloyd-television-guitarist-dead-obituary-1235614110\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Richard Lloyd, the Television co-founder and guitarist who helped bring a deft virtuosity to punk\u2019s stripped-down fury, has died at the age of 75.\u00a0&#8230;<\/p>\n","protected":false},"author":5,"featured_media":76641,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-76640","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/76640","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=76640"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/76640\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/76641"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=76640"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=76640"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=76640"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}