{"id":76680,"date":"2026-11-08T15:29:36","date_gmt":"2026-11-08T15:29:36","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/11\/08\/ben-labat-former-singer-of-the-terms-goes-folky-on-new-solo-album\/"},"modified":"2026-11-08T15:29:36","modified_gmt":"2026-11-08T15:29:36","slug":"ben-labat-former-singer-of-the-terms-goes-folky-on-new-solo-album","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/11\/08\/ben-labat-former-singer-of-the-terms-goes-folky-on-new-solo-album\/","title":{"rendered":"Ben Labat, Former Singer of the Terms, Goes Folky on New Solo Album"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<a href=\"https:\/\/www.rollingstone.com\/t\/ben-labat\/\" id=\"auto-tag_ben-labat\" data-tag=\"ben-labat\">Ben Labat<\/a> has been on the verge of stardom. He had a major-label deal with Capitol Records, and his music has been featured in zeitgeist television shows from <em>The Real World<\/em> to <em>Jersey Shore<\/em>. But after a career that spans nearly three decades, the Louisiana native has found himself most comfortable when he\u2019s processing his own life through writing and singing folk-rock tunes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLabat says that the more music \u2014\u00a0aided by artificial intelligence and technology \u2014\u00a0has moved away from simple approaches to lyrics and melodies, the more he\u2019s been drawn back to them.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI like the reverse of AI and the use of technology, and all the wild and crazy things you can do with it in film and writing and graphic design and music\u201d Labat tells <em>Rolling Stone<\/em>. \u201cIt felt good to just be me and an acoustic guitar.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tBut Labat did find at least some inspiration in science for his new album <em>Echolocationism<\/em>. A one-time physics teacher, he\u2019s fascinated by the sonar-like senses that marine animals like dolphins use to navigate the open ocean \u2014\u00a0called \u201cecholocation\u201d (hence the title of his album). <em>Echolocationism<\/em> is his seventh studio LP since 2006, and he wrote 10 of the 11 tracks himself. Only a cover of Harry Styles\u2019 hit \u201cMatilda,\u201d which Labat says is his daughter\u2019s favorite song, keeps the album from being entirely original material.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe recorded <em>Echolocationism<\/em> himself, playing a Martin D-28 acoustic guitar that his grandfather once owned. The guitar had been sold for a time, but Labat bought it back and was compelled to build an album around it. \u201cI started digging through the songs that never made it to a full-band cut, and then they just kind of all came together,\u201d he says.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe album opens with \u201cSet a New Course,\u201d which Labat delivers in a gravelly Louisiana drawl over that very acoustic guitar. You can hear echoes of Springsteen\u2019s best stripped-down material in the melody, especially when Labat laments, \u201cLife tuned me up and played me like a song\/so I set a new course.\u201d<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt\u2019s really about finding that new path,\u201d Labat says. \u201cWhether it\u2019s a job or a relationship, moving to a new city, having children. I\u2019m trying to be a parent and explain that things are not always gonna go your way. You\u2019re gonna have to embrace the change, and sometimes, things are gonna happen and you won\u2019t be the same. The way you look at things and how you react will be different.\u201d<\/p>\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube\">\n<p>\n<span class=\"embed-youtube\" style=\"text-align:center; display: block;\"><iframe loading=\"lazy\" title=\"Set a New Course\" width=\"1200\" height=\"900\" src=\"https:\/\/www.youtube.com\/embed\/x8KcSOyt4GM?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/span>\n<\/p>\n<\/figure>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe pared-back approach he took with <em>Echolocationism<\/em> took root 20 years ago in Labat\u2019s full-band debut LP. At the time, he fronted the Louisiana alt-rock outfit the Terms. Their first record was <em>Small Town Computer Crash<\/em>, released in 2006 and produced by the late Grammy winner Greg Ladanyi (Jackson Browne, Warren Zevon). Labat was intrigued by Ladanyi\u2019s attention to detail in the studio and he took the best notes he could and applied them to <em>Echolocationism<\/em>.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cIt set a very high bar for my current recording process,\u201d he says. \u201cFinalizing arrangements, rehearsing until you were tired of it, listening back to the recordings, feeling the emotion in the vocal \u2014 all those little things and that technical attention to detail still carry through to the quality of music I try to produce today.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI remember listening to masters with Greg on as many different formats as possible \u2014 car stereo, high quality headphones, low quality headphones, studio speakers, TVs,\u201d he continues. \u201cI still do that today. And while I didn\u2019t bounce ideas off of another human being, I would often ask myself, \u2018Would Greg approve?\u2019\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Small Town Computer Crash<\/em> charted as <em>Billboard<\/em> Heatseeker and landed the Terms some television appearances, but shortly after it dropped, an auto accident forced a premature end to the band. After a brief stint in New York pursuing a new record deal, Labat returned to Louisiana, started a family, and launched Ben Labat &amp; the Happy Devil \u2014\u00a0a largely regional band that released four full-length records starting in 2010. The Happy Devil is still around, but Labat tours solo these days, in and around a day job and coaching youth soccer. He enjoys the intimate feel of his shows and says it reflects his approach to art and songwriting in general. <\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tRelated Content<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tLike the dolphins that partly inspired <em>Echolocationism<\/em>, he\u2019s trusting his senses to navigate where his music goes next.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t\u201cI tried to write commercially for a little bit, and I <em>can<\/em> do it, but it was not easy for me,\u201d he says. \u201cI wanted to write songs when I felt like writing about whatever material I wanted to write about. That was my creative outlet.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\t<em>Josh Crutchmer is a journalist and author whose upcoming book, <\/em><a href=\"https:\/\/backloungepublishing.com\/sonoransounds\/\" target=\"_blank\" rel=\"noreferrer noopener nofollow\"><em>Sonoran Sounds<\/em><\/a><em>, is set for release in March 2027 via Back Lounge Publishing.<\/em><\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/ben-labat-the-terms-solo-album-1235654283\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Ben Labat has been on the verge of stardom. He had a major-label deal with Capitol Records, and his music has been featured in&#8230;<\/p>\n","protected":false},"author":5,"featured_media":76681,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-76680","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/76680","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=76680"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/76680\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/76681"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=76680"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=76680"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=76680"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}