{"id":76959,"date":"2026-11-12T16:02:40","date_gmt":"2026-11-12T16:02:40","guid":{"rendered":"https:\/\/musicianvoice.com\/index.php\/2026\/11\/12\/beastie-boys-licensed-to-ill-to-get-40th-anniversary-vinyl-reissue\/"},"modified":"2026-11-12T16:02:40","modified_gmt":"2026-11-12T16:02:40","slug":"beastie-boys-licensed-to-ill-to-get-40th-anniversary-vinyl-reissue","status":"publish","type":"post","link":"https:\/\/musicianvoice.com\/index.php\/2026\/11\/12\/beastie-boys-licensed-to-ill-to-get-40th-anniversary-vinyl-reissue\/","title":{"rendered":"Beastie Boys&#8217; &#8216;Licensed to Ill&#8217; to Get 40th Anniversary Vinyl Reissue"},"content":{"rendered":"<p> <br \/>\n<\/p>\n<div>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tWhat time is it? <em>It\u2019s time to get ill!<\/em> <a href=\"https:\/\/www.rollingstone.com\/t\/beastie-boys\/\" id=\"auto-tag_beastie-boys\" data-tag=\"beastie-boys\">Beastie Boys<\/a> are celebrating the 40th anniversary of their megaselling debut album, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/licensed-to-ill-106355\/\">Licensed to Ill<\/a><\/em>, with a limited edition vinyl reissue. Originally released on Nov. 15, 1986, the diamond-certified, Rick Rubin\u2013produced album became the first rap record to top <em>Billboard\u2019s <\/em>album chart thanks to clever videos for \u201c(You Gotta) Fight for Your Right (To Party!)\u201d and \u201cNo Sleep till Brooklyn\u201d and a string of singles that included \u201cBrass Monkey,\u201d \u201cHold It Now, Hit It,\u201d and \u201cPaul Revere.\u201d The group\u2019s surviving members, Mike D and Ad-Rock, will appear on <em>The Daily Show<\/em> on Monday to discuss the album\u2019s legacy, as well as the <em>SmartLess <\/em>podcast, released the same day.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe lacquers for the limited Vinylphyle edition, which is out March 18 and <a href=\"https:\/\/beastieboys.lnk.to\/LicensedToIllAlbum\" target=\"_blank\" rel=\"noreferrer noopener nofollow\">available for preorder<\/a>, were cut from a high-res digital transfer from the original 1986 quarter-inch master tape and pressed to 180-gram black vinyl LPs. Audio engineer Joe Nino-Hernes worked from physical tapes at Sterling Sound, introducing a digital step to preserve the tapes. \u201cFor this project I felt that making a high-resolution digital transfer, using the same machine and electronics that I use for cutting, would yield the best results and come closest to actually cutting from the first-generation master tape itself\u201d he said in a statement. \u201cIt also allowed me to minimize handling of the tapes that have become fragile with time.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tThe reissue, which will come in a lavish gatefold sleeve, will include new liner notes by Public Enemy\u2019s Chuck D. The fourth side of the second LP will feature an etching, and a four-panel insert includes photos of the master tapes.<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 2019, the Beasties\u2019 Mike D told A Tribe Called Quest\u2019s Q-Tip on his Apple Music radio show, <em>Echo Chamber<\/em>, that the <em>Licensed to Ill <\/em>master tapes were missing. \u201cNobody can find it,\u201d Mike said. \u201cI\u2019m not even lying.\u201d When Q-Tip blamed the original label, Def Jam, and asked if producer Rick Rubin knew where they were, Mike D doubled down, according to <em><a rel=\"noreferrer noopener\" target=\"_blank\" href=\"https:\/\/variety.com\/2019\/music\/news\/master-tapes-beastie-boys-license-to-ill-disappeared-1203230676\/\">Variety<\/a><\/em>. \u201cNo,\u201d he said, \u201cLiterally nobody can find it.\u201d (A rep for the Beastie Boys did not immediately respond to <em>Rolling Stone\u2019s <\/em>query if the tapes had been located for the reissue.)<\/p>\n<section class=\"brands-most-popular \/\/ editors-pick-module lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tEditor\u2019s picks<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tMike D, who released his first-ever solo album, <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-album-reviews\/mike-d-beastie-boys-thank-you-album-review-1235616806\/\">Thank You<\/a><\/em>, this year, reflected on <em>Licensed to Ill\u2019s <\/em>legacy in a <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/mike-d-thank-you-solo-album-interview-1235602665\/\">Rolling Stone <\/a><\/em><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/mike-d-thank-you-solo-album-interview-1235602665\/\">interview<\/a>. \u201cI do think about the joy that Adam Horovitz, Yauch, and I had when we were making the demos that became some of those tracks,\u201d he said.<\/p>\n<section class=\"brands-most-popular \/\/ recirculation-modules trending-in-article lrv-u-margin-tb-2 lrv-u-border-a-2 u-box-shadow-5-5 lrv-u-padding-lr-1 a-span1 u-padding-b-1@tablet u-overflow-hidden\">\n<h2 id=\"section-heading\" class=\"c-heading larva  lrv-u-text-align-center u-border-color-black a-font-theme-primary-xxs lrv-u-color-black lrv-u-text-transform-uppercase u-letter-spacing-0063 lrv-u-padding-t-050 u-padding-b-0375@tablet lrv-u-padding-b-050@mobile-max lrv-u-border-b-2\">\n<p>\t\tTrending Stories<\/p>\n<\/h2>\n<\/section>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tHe also reflected on an appearance Beastie Boys\u2019 made on a talk show hosted by Joan Rivers in which she made fun of the album title, calling <em>Licensed to Ill <\/em>the stupidest she\u2019d ever read. \u201cShe\u2019s Joan Rivers,\u201d Mike D said. \u201cYou\u2019re supposed to feel a bit belittled. But I guess at the time, I felt like, \u2018Oh. I think it\u2019s kind of clever. Don\u2019t we get any points for being kind of clever?\u2019 But that wouldn\u2019t be too on-brand for Joan Rivers, so fair enough.\u201d<\/p>\n<p class=\"paragraph larva \/\/ lrv-u-line-height-copy  lrv-a-font-body-l   \">\n\tIn 1987, Mike D told <em><a href=\"https:\/\/www.rollingstone.com\/music\/music-features\/beastie-boys-rude-boys-101021\/4\/\">Rolling Stone<\/a> <\/em>that he thought the aspect of Beastie Boys that set them apart from other musicians was their sense of humor. \u201cI think people are ready for a group that can laugh at themselves, laugh at everything,\u201d he said. \u201cEspecially with all this serious bullshit going on \u2014 you know, Live Aid, Egg Aid, Beard Aid and Shave Aid. It\u2019s all so serious, it doesn\u2019t have any sense of humor about itself at all.\u201d<\/p>\n<\/div>\n<p><br \/>\n<br \/><a href=\"https:\/\/www.rollingstone.com\/music\/music-news\/beastie-boys-licensed-to-ill-40-anniversary-vinyl-reissue-1235656445\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>What time is it? It\u2019s time to get ill! Beastie Boys are celebrating the 40th anniversary of their megaselling debut album, Licensed to Ill,&#8230;<\/p>\n","protected":false},"author":5,"featured_media":76960,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[36],"tags":[],"class_list":["post-76959","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pop","article","has-excerpt","has-avatar","has-author","has-date","has-comment-count","has-category-meta","has-read-more","thumbnail-"],"_links":{"self":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/76959","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/users\/5"}],"replies":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/comments?post=76959"}],"version-history":[{"count":0,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/posts\/76959\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media\/76960"}],"wp:attachment":[{"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/media?parent=76959"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/categories?post=76959"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/musicianvoice.com\/index.php\/wp-json\/wp\/v2\/tags?post=76959"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}