The Cure Albums Ranked Worst to Best


Not many bands can claim to be single-handedly responsible for an entire genre and musical movement, but The Cure can.

The post-punk found on their 1979 debut album, Three Imaginary Boys, quickly evolved into a gloomier and moodier form of music on their second LP, the following year’s Seventeen Seconds. The next few years gave birth to the goth subgenre, as dark music, darker moods and a super-dark outlook went on to inspire a generation of sad-sack kids – and plenty of crappy music – over the next three decades.

But the Cure wasn’t done yet. As the ’80s moved on, so did the band, which has been fronted by Robert Smith since the start. By the decade’s end, their music had steered them into new territories, including psychedelic, jangly alt-rock and cheery pop.

Their dozen-plus LPs over the years have swung through all these almost effortlessly, as you’ll see in the below list of Cure Albums Ranked Worst to Best. There were some stumbles along the way, but without an album like 1984’s bleak The Top, they may have never gotten to The Head on the Door, Kiss Me Kiss Me Kiss Me and Disintegration.

Their influence continues four decades after songs like “Killing an Arab,” “Boys Don’t Cry” and “Jumping Someone Else’s Train” introduced them to the world. Their 2019 induction into the Rock & Roll Hall of Fame may not be the culmination of their long career, but it stamps validity on a music catalog that helped shape an era.

The Cure Albums Ranked

Gloomy, gothy, punky, poppy – this multidimensional band’s albums are among the best of the era.

Gallery Credit: Michael Gallucci





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Wesley Scott

Wesley Scott is a rock music aficionado and seasoned journalist who brings the spirit of the genre to life through his writing. With a focus on both classic and contemporary rock, Wesley covers everything from iconic band reunions and concert tours to deep dives into rock history. His articles celebrate the legends of the past while also shedding light on new developments, such as Timothee Chalamet's portrayal of Bob Dylan or Motley Crue’s latest shows. Wesley’s work resonates with readers who appreciate rock's rebellious roots, offering a blend of nostalgia and fresh perspectives on the ever-evolving scene.

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