Best and Worst Solo Album From Every Member of the Rolling Stones


When you are a member of a long-running band, the decision to make solo music outside of said band comes with its share pros and cons. Not everyone sees it the same way.

“If you’ve been in a band for 40 years, I think you should be doing a lot of work on your own, as well,” Mick Jagger said to NPR in 2007, the same year he released a compilation of his solo work called The Very Best of Mick Jagger. “You get a certain amount of freedom if you do a solo record which you don’t really have if you’re in a band.”

Jagger’s partner in songwriting in the Rolling Stones, Keith Richards, evidently has always felt differently about branching off from his main group.

“It’s kind of strange, because it was never in the cards for me,” he explained to Rolling Stone back in 1988, speaking about the release of his very first solo album, Talk Is Cheap. “It was not something I wanted to do. Also, in the back of my mind, doing a solo record meant a slight sense of failure. The only reason I would do a solo album was because I couldn’t keep the Stones together.”

Of course, the Stones very much stayed together after that, and both Jagger and Richards have continued to release solo music. In the below gallery, we’ve selected what we feel to be the strongest and weakest releases from each of the core members of the Rolling Stones, past and present: Jagger, Richards, Charlie Watts, Brian JonesBill Wyman, Ronnie Wood and Mick Taylor.

The Best (and Worst) Solo Album From Every Member of the Rolling Stones

The top releases from each of the core members, past and present, along with the least extraordinary.

Gallery Credit: Allison Rapp





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Wesley Scott

Wesley Scott is a rock music aficionado and seasoned journalist who brings the spirit of the genre to life through his writing. With a focus on both classic and contemporary rock, Wesley covers everything from iconic band reunions and concert tours to deep dives into rock history. His articles celebrate the legends of the past while also shedding light on new developments, such as Timothee Chalamet's portrayal of Bob Dylan or Motley Crue’s latest shows. Wesley’s work resonates with readers who appreciate rock's rebellious roots, offering a blend of nostalgia and fresh perspectives on the ever-evolving scene.

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