Rock Star Vs. President Songs


As the following Rock Star Vs. President Songs attest, over the years some of rock’s most famous musicians have fearlessly criticized the actions and viewpoints of our country’s various leaders.

Listen as presidents such as Bill Clinton, Ronald Reagan, Richard Nixon and both George Bushes come under heavy fire for their handling of wars, foreign and domestic affairs in the lyrics of the following classic rock “State of the Union” addresses.

Alice Cooper, “Elected”
From: Billion Dollar Babies (1973)

Unlike most of the lyrics on this list of Presidents Songs, Alice Cooper isn’t referencing or criticizing a specific leader of the free world. In fact, most of “Elected” is a tongue-in-cheek campaign pledge to get wild, during which Cooper jokes that he doesn’t care about the problems of our major cities. But his true colors and concern seems to be different, as revealed by the line “Kids want a savior / Don’t need a fake.” 

 

Crosby, Stills, Nash and Young, “Ohio”
Single (1970)

Shocked and incensed by the deaths of four anti-military protesters on May 4, 1970 at Kent State University, Crosby, Stills, Nash & Young rush-recorded and released this Neil Young-penned protest song, which hit stores and airwaves the following month. The lyrics make no bones about who the group held responsible for this tragedy: “Tin soldiers and Nixon coming / We’re finally on our own / This summer I hear the drumming / Four dead in Ohio.”

 

Elton John, “Postcards From Richard Nixon”
From: The Captain & the Kid (2006)

Although lyricist Bernie Taupin still denies the popular story that 1971’s Madman Across the Water was about Nixon — the only active President ever to resign from office — there’s no denying this Elton John song is about him. What can be questioned is exactly what’s being said about “Tricky Dick,” although it doesn’t seem particularly complimentary. The lyrics suggest Nixon invited the duo to use their music to help distract people’s attention from the Vietnam War: “And Richard Nixon’s on his knees he’s sent so many overseas / He’d like to know if you and me could help him in some way / A little camouflage and glue to mask the evil that men do / A small diversion caused by two pale kids come to play / And we heard Richard Nixon say ‘Welcome to the U.S.A.'”

 

Ted Nugent, “Kiss My Ass”
From: Spirit of the Wild (1995)

Our 43rd president, Bill Clinton — nicknamed “Billary” here — gets a rather direct and unpleasant invitation from the always outspoken and conservative-minded Ted Nugent. He extends the same offer to then-Attorney General Janet Reno, the IRS and animal rights activists: “I see the weenies with the dirty hair / Protestin’ on the street / They condemn the clothes we wear and the morality of what we eat, yeah / It’s gotta be a fluke / They make me wanna puke.”

 

The Ramones, “Bonzo Goes to Bitburg”
Single (1985)

Punk pioneers the Ramones were among the many who didn’t appreciate President Ronald Reagan’s 1985 visit to a German cemetery partially populated by Nazi solders accused of running World War II extermination camps. They made their feelings clear on this track: “You’re a politician / Don’t become one of Hitler’s children.” The group changed the name of the track to “My Brain is Hanging Upside Down (Bonzo Goes to Bitburg)” for inclusion on their 1986 album Animal Boy to acknowledge the Reagan-supporting views of guitarist Johnny Ramone, who understandably wasn’t pleased with the lyrical message of the song.

 

R.E.M, “Ignoreland”
From: Automatic for the People (1992)

It’s a double-shot of anti-presidential rock as R.E.M. rip both Ronald Reagan and his vice president and one-term successor George H. W. Bush for a decade of (alleged) deception and warmongering. They also save some venom for the press for failing to call the White House out properly: “The paper’s terrified to report anything that isn’t handed on a presidential spoon / I’m just profoundly frustrated by all this / So, f— you, man.” In the end, singer Michael Stipe admits his words are probably in vain: “I know that this is vitriol / No solution, spleen-venting / But I feel better having screamed / Don’t you?”

 

Bruce Springsteen, “How Can a Poor Man Stand Such Times and Live”
From: Live in Dublin (2007)

Bruce Springsteen re-wrote most of the lyrics for his cover of this Blind Alfred Reed song to address President George Bush’s reaction to the 2005 disaster caused by Hurricane Katrina. His feelings about the man he called “President Bystander” are laid particularly bare in this verse: “He said, ‘Me and my old school pals had some mighty high times down here / And what happened to you poor black folks, well it just ain’t fair’ / He took a look around, gave a little pep talk, said ‘I’m with you’ then he took a little walk.” 

 

Sting, “Russians”
From: The Dream of the Blue Turtles (1985)

Sting reflects on the history of the war of words and military posturing between the Soviets and the Americans, referencing ’60s Russian leader Nikita Khrushchev and ’80s U.S. President Ronald Reagan in this hit Presidents Song from his debut solo album: “Mr. Reagan says ‘We will protect you’ / I don’t subscribe to this point of view.” The inspiration for this plea for peace dates all the way back to the former Police leader’s college days, when he and his friend would watch the Russian equivalent of Sesame Street on illegal cable and realize that the two countries were more alike than they realized. Decades after its release, Sting would change the lyrics to “Russians” in response to Russia’s invasion of Ukraine.

 

James Taylor, “Line ‘Em Up”
From: Hourglass (1997)

The normally soft-spoken James Taylor mercilessly roasts President Nixon on this late-’90s track, accusing him of being phoney even while being shoved out of our country’s highest office in shame: “I remember Richard Nixon back in ’74 / And the final scene at the White House door / And the staff lined up to say good-bye / Tiny tear in his shifty little eye / He said ‘Nobody knows me / Nobody understands / These little people were good to me / Oh I’m gonna shake some hands.'”

 

Neil Young, “Let’s Impeach the President”
From: Living With War (2006)

More than three decades after he first showed he wasn’t afraid to call out the most powerful men in the free world by name, Neil Young does it again. This time, he’s even more direct and to the point, in a furious call to action attacking George W. Bush’s role in the war on 2003 war on Iraq: “Let’s impeach the President for lying / And misleading our country into war / Abusing all the power that we gave him / And shipping all our money out the door.”

 

Todd Rundgren and Donald Fagen, “Tin Foil Hat”
From: White Knight (2017)

Todd Rundgren recruited Steely Dan’s Donald Fagen for a 2017 collaboration called “Tin Foil Hat.” As Rundgren explained, the track was “primarily driven by our common frustration” in watching Donald Trump get elected. As you’d expect, the lyrics for “Tin Foil Hat” are aimed directly at Trump and his supporters. Among the lyrics: “He hasn’t got the time for losers / Unless they do as he commands / He’s writing checks to his accusers / With his tiny little hands”

 

Pearl Jam, “Quick Escape”
From: Gigaton, 2020

Pearl Jam frontman Eddie Vedder was never shy about expressing his distaste for Donald Trump, at one point referring to the 45th president as “crazy like a narcissistic motherfucker.” Vedder’s criticism of Trump popped up in the lyrics to Pearl Jam’s 2020 song “Quick Escape.” The track found Vedder envisioning a world devastated by global warming and corporate greed. It included the lines, “Crossed the border to Morocco / Kashmir to Marrakesh / The lengths we had to go to then / To find a place Trump hadn’t fucked up yet.”

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Gallery Credit: UCR Staff





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Wesley Scott

Wesley Scott is a rock music aficionado and seasoned journalist who brings the spirit of the genre to life through his writing. With a focus on both classic and contemporary rock, Wesley covers everything from iconic band reunions and concert tours to deep dives into rock history. His articles celebrate the legends of the past while also shedding light on new developments, such as Timothee Chalamet's portrayal of Bob Dylan or Motley Crue’s latest shows. Wesley’s work resonates with readers who appreciate rock's rebellious roots, offering a blend of nostalgia and fresh perspectives on the ever-evolving scene.

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