How U2 Refused to Trust Their Instincts to Deliver ‘Vertigo’


Bono said U2 was right to ignore their instincts over their 2004 hit single “Vertigo,” which originally lacked “unstable chemistry.”

The track became a defining moment in the band’s history, leading that year’s album How To Dismantle an Atomic Bomb and giving its name to their associated world tour. At one point U2 both opened and closed their sets with the song.

But in a recent interview with Record Collector, Bono revealed “Vertigo” started as a much less lively piece of work titled “Native Son” under the auspices of producer Chris Thomson.

READ MORE: How U2 Introduced Themselves With the Punky and Thoughtful ‘Boy’

“In that case, we were right not to trust our first instincts,” the singer said. “Chris is great with guitar sounds, as well as singers and bands. He got it as far as he could – but it wasn’t the combustible, unstable chemistry we needed for our show.”

The album’s lead producer, Steve Lillywhite, persuaded the band to approach the song differently. “Steve wanted us to play it live with no overdubs.

Bono Calls ‘Vertigo’ His Most Present-Tense Song

“The lyric is [about being] on a night out with the singer. It’s the most present-tense song I’ve written about the pure joy of just being out and about. … The losing and finding of yourself that can happen in a club.”

Lillywhite’s take was to behave like the listener was in the space with U2. “You start to sense the shape of the room,” Bono said. “The sense of place, the mood of the band is built into the recording.”

He added, “Steve Lillywhite deserves credit for forcing our hand on that one. If you’re in a corner, he’s usually the right man to call.”

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Gallery Credit: Michael Gallucci





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Wesley Scott

Wesley Scott is a rock music aficionado and seasoned journalist who brings the spirit of the genre to life through his writing. With a focus on both classic and contemporary rock, Wesley covers everything from iconic band reunions and concert tours to deep dives into rock history. His articles celebrate the legends of the past while also shedding light on new developments, such as Timothee Chalamet's portrayal of Bob Dylan or Motley Crue’s latest shows. Wesley’s work resonates with readers who appreciate rock's rebellious roots, offering a blend of nostalgia and fresh perspectives on the ever-evolving scene.

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