How Brian Eno Used AI to Make Music Like His Own


Brian Eno revealed what happened when he tried to use AI to generate music in his own style.

He discussed the status of machine learning while talking about his upcoming book, What Art Does, co-written with Bette Adriaanse, which explores the nature of creativity. But the tech pioneer warned of a “chasm of mediocrity” between work created by algorithms those invented by human artists.

READ MORE: Brian Eno to Name the Earth as His Co-Writer

The Guardian reported that the pair had used a song generator to deliver “half-decent ‘Brian Eno’ material.” Eno said. “It wasn’t too bad, but none of it was so good that I thought, ‘Oh my God, I’ve got to release this.’”

He added: “Somebody said to me the other day, ‘I’ll be interested in AI when some product of AI makes me cry’, and I thought that was a very good test. I think it’s not possible unless you assume intentionality on the part of something being made.”

Reflecting that he’d made a lot of his own music in similar ways, he continued: “I’ve been close to being an AI artist for quite a long time, by inventing and setting up systems that make music.

“But although I’m not present and controlling the moment of the performance, I have, first of all, had the idea to do them. Secondly, I built the apparatus by which they are made. And that involves a lot of decisions, of trying out and thinking, ‘That doesn’t work,’ and ‘I’ll change the rules a bit,’ and so on and so on.”

Brian Eno Says AI Is Set Up for Mediocrity

His point, he said The Guardian, was that human instinct and judgment were essential in art.

“The first thing you have to do is stop it going down into the chasm of mediocrity that it will always want to go into, because that’s the way it’s set up,” he said. “If you think about it, even though it all sounds very, very complicated, it’s essentially a system for deciding what the next word is. I’m not trying to say I’m not fascinated by it. I am.

“But in my experience, the times it works are when people are very careful about what goes in and very critical about what comes out.”

What Art Does: An Unfinished Theory will be published on Jan. 15 via Faber & Faber.

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Wesley Scott

Wesley Scott is a rock music aficionado and seasoned journalist who brings the spirit of the genre to life through his writing. With a focus on both classic and contemporary rock, Wesley covers everything from iconic band reunions and concert tours to deep dives into rock history. His articles celebrate the legends of the past while also shedding light on new developments, such as Timothee Chalamet's portrayal of Bob Dylan or Motley Crue’s latest shows. Wesley’s work resonates with readers who appreciate rock's rebellious roots, offering a blend of nostalgia and fresh perspectives on the ever-evolving scene.

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