Megan Moroney Doesn’t Want to Be Pitted Against Carrie Underwood


Megan Moroney caught a stray early this year after some fans, unhappy with Carrie Underwood‘s decision to sing at Donald Trump’s presidential inauguration, voiced their intentions to boycott Underwood’s music and pivot to Moroney’s instead.

But Moroney tells Rolling Stone that she thinks pitting women against women — for any reason — is an inherently backwards move.

“I’m like, ‘Why am I getting brought into this?'” Moroney says, recalling the social media buzz at the time.

“I’m happy they relate to my music,” she continues, “… [but] I’m never happy tearing down another woman.”

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A Glamour article from January digs into some of the details of the Underwood-to-Moroney fandom shift, interviewing one social media user who previously ran an Underwood fan account but rebranded themselves toward Moroney after the inauguration.

They described Moroney as “unproblematic” and a “fresh, authentic voice that country music needs.”

Meanwhile, the same fan felt that Underwood — who has a large LGBTQ+ following, many of whom have found a rallying cry in her 2018 song “Love Wins” — had betrayed a portion of her fanbase by choosing to sing at Trump’s inauguration ceremony.

Speaking to Rolling Stone, Moroney said “it’s a valid feeling” that some fans saw Underwood’s performance as a betrayal. She also hopes her music speaks to listeners of all political stripes.

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“I come from a really big family, with each side of the [political] spectrum. And I’ve found that you can’t change anyone’s mind,” she reflects. “The best thing I can do is love them. That’s what I want to give my fans, too. My music is there so hopefully they can find comfort.”

As for whether she’d make the same decision did to sing at Trump’s inauguration? “It’s hard to say,” Moroney replies.

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Gallery Credit: Carena Liptak





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Graham Haring

Graham Haring is a versatile writer with a knack for capturing the heart of country music and the stories that surround it. Covering everything from new song releases by icons like Tim McGraw to unexpected cultural phenomena like "The Waffle House Index," his articles bring a mix of humor, depth, and curiosity to the table. Graham’s work often explores the personal side of country music, highlighting the community, family moments, and heartwarming stories behind the headlines. Whether it’s about Keith Urban's benefit shows or a quirky note from the past, Graham's writing resonates with country fans who appreciate a touch of authenticity and a good story.

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