Why Billy Corgan Told Smashing Pumpkins’ Label ‘Go F— Yourself’


Billy Corgan has always had strong opinions about what Smashing Pumpkins should sound like, and he’s never shied away from conflict – even with his own label.

During a recent episode of his podcast, the Magnificent Others, Corgan recalled bristling with Smashing Pumpkins’ label over the band’s 1993 single “Cherub Rock.”

“The intro was one minute long,” Corgan explained while chatting with his guests, Stone Temple Pilots’ Dean and Robert DeLeo. “Of course the record company comes and goes, ‘Hey, ‘Cherub Rock’’s five minutes long. Can you guys cut that intro?’”

As you’d expect, Corgan fired back against the label’s suggestion. “I said, ‘Go fuck yourself.’ And you know where we got that intro from? We stole it from ‘By-Tor and the Snow Dog’ from Rush.”

READ MORE: Smashing Pumpkins Albums Ranked Worst to Best

Record executives tried persuading Corgan to reconsider, but the rocker was steadfast in his decision.

“No fucking way. That intro is fucking great. Fuck yourself,” he recalled declaring. “And they say, ‘Well, MTV…’ I said, ‘I don’t give a shit.’”

In the end, Corgan got the last laugh. Released as the lead single from Siamese Dream, “Cherub Rock” became the band’s first hit, peaking at No. 7 on Billboard’s Alternative chart.

Billy Corgan’s 2025 Tour

Corgan will be hitting the road without Smashing Pumpkins this summer, but he’ll still be playing plenty of the band’s material. The singer will be celebrating the 30th anniversary of Mellon Collie and the Infinite Sadness, the 25th anniversaries of both of Machina/The Machine of God and Machina II/The Friends and Enemies of Modern Music.

Corgan will be backed by his new solo band, the Machines of God, on the trek, which kicks off June 7 in Baltimore.

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Gallery Credit: UCR Staff





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Wesley Scott

Wesley Scott is a rock music aficionado and seasoned journalist who brings the spirit of the genre to life through his writing. With a focus on both classic and contemporary rock, Wesley covers everything from iconic band reunions and concert tours to deep dives into rock history. His articles celebrate the legends of the past while also shedding light on new developments, such as Timothee Chalamet's portrayal of Bob Dylan or Motley Crue’s latest shows. Wesley’s work resonates with readers who appreciate rock's rebellious roots, offering a blend of nostalgia and fresh perspectives on the ever-evolving scene.

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