Bruce Springsteen Previews Live ‘Nebraska’ Film, Disses Donald Trump


For those keeping track of the Bruce Springsteen musical-historical complex, 2025 has brought one box set of shelved material, a feature film about the making of Nebraska, a reunion with past and present E Street Band members at a Born to Run symposium in New Jersey, and two books on the making of Born to Run. And the deluge isn’t over yet. Today brought the first preview of the upcoming Nebraska box and a new interview in which Springsteen says a third volume of his Tracks box of unreleased songs may arrive in a few years’ time — and he’s not done with touring, either.

First retro-Nebraska things first: Earlier this month, tied to the imminent release of the quasi-biopic Springsteen: Deliver Me from Nowhere, Springsteen announced the release of Nebraska ’82: Expanded Edition. The set expands the original 1982 album to include a disc of outtakes (like early versions of “Born in the U.S.A.” and “Downbound Train”), the long-rumored “electric Nebraska” sessions, and a Blu-Ray and audio recording of Springsteen’s first-ever live performance of the entire Nebraska album.

Taped early this year at the Count Basie Theatre in Red Bank, New Jersey, that show featured Springsteen accompanied by Larry Campbell (on guitar and mandolin) and Charlie Giordano (on celeste and synthesizer) and was filmed by director Thom Zimny. “What I was concerned about was getting some of the spooky quality the record had,” Springsteen said in a statement. “We’re lucky we got the great Larry Campbell and Charlie Giordano to assist in the very minimal instrumentation on the record.” One of the concert’s songs, a live solo take on “Open All Night,” was released today.

Meanwhile, 50 years after he made the cover of Time (the same week its competitor Newsweek did the same), Springsteen has returned to the front of that August magazine. Recalling that dual-covers moment in his career, Springsteen tells Time, “It’s making you very, very different than all the people you grew up with.” Springsteen also talks about the times he spoke up against Donald Trump onstage in Europe this summer: “If I’m going to stay true to who I’ve tried to be, I can’t give these guys a free pass.” He doesn’t give Democrats a free ride, either, telling Time, “There is a problem with the language that they’re using and the way they’re trying to reach people.”

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In the interview, Springsteen laughed when reminded that Trump called him “highly overrated” after his summer tour comments. But Springsteen had more serious thoughts on the current, divisive president: “A lot of people bought into his lies,” Springsteen tells Time. “He doesn’t care about the forgotten anybody but himself and the multibillionaires who stood behind him on Inauguration Day.” On an even more somber note, he says, “You have to face the fact that a good number of Americans are simply comfortable with his politics of power and dominance. … He’s the living personification of what the 25th Amendment and impeachment were for. If Congress had any guts, he’d be consigned to the trash heap of history.”

In the same interview, Springsteen replied, “Of course!” when asked if he would tour with the E Street Band again and indicated that solo shows are also a possibility. He also told the publication that, in several years’ time, he would roll out a Tracks 3 box, containing even more unreleased material from his vaults. One song in it, he says, will likely be what Time called “his famously slow, hypnotic” version of Bob Dylan’s “I Want You.” Original Dylan, meet New Dylan — at some point, anyway.



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Hanna Jokic

Hanna Jokic is a pop culture journalist with a flair for capturing the dynamic world of music and celebrity. Her articles offer a mix of thoughtful commentary, news coverage, and reviews, featuring artists like Charli XCX, Stevie Wonder, and GloRilla. Hanna's writing often explores the stories behind the headlines, whether it's diving into artist controversies or reflecting on iconic performances at Madison Square Garden. With a keen eye on both current trends and the legacies of music legends, she delivers content that keeps pop fans in the loop while also sparking deeper conversations about the industry’s evolving landscape.

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