Vote for the Best Political Campaign Song!


What is the best political campaign song of all time?

We’ve reached Election Day, the political rallies are done and you’ve likely heard certain rock songs attached to candidates (sometimes with the artist’s endorsements and other times definitely not). So here’s your chance to have your vote count for which is the best political campaign song!

What makes a good campaign song? If we’re talking about the U.S. election, you likely want to have some reference to America. Neil Young‘s “Rockin’ in the Free World” is a favorite, as is Kid Rock‘s “Born Free” and Bruce Springsteen‘s “Born in the U.S.A.,’ though a closer look at the lyrics for the latter shows more disillusionment with the state of the country. But, damn, that title is anthemic.

Outside of that, the messaging is key – “I Won’t Back Down” (Tom Petty), “Don’t Stop Believin'” (Journey), “Right Now” (Van Halen), “We’re Not Gonna Take It” (Twisted Sister), “My Hero” (Foo Fighters) and “Don’t Stop” (Fleetwood Mac) all spark emotions of hope, rebellion and a change for the better! When appealing to the audience, you want to leave them moved. These songs do the trick.

READ MORE: 20 Artists Who Told Politicians to Stop Using Their Music

So while we’re all in the voting mindset, let’s pick a winner of the best political campaign song of all-time.

20 Artists Who Told Politicians to Stop Using Their Music

Politicians are consistently using songs by bands without their permission, and these artists had enough of it.

Musicians Who Ran for Political Office

These rockers not only made music, but also wanted to make a difference in the world.

Gallery Credit: Todd Fooks





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Edwin Brian

Edwin Brian is a dedicated music journalist who brings a unique perspective to the world of alternative rock. With a deep love for the genre, Edwin's articles cover everything from album reviews and band reunions to music history and the evolution of rock icons. His writing often revisits forgotten gems from the past while also shedding light on emerging artists, offering readers a mix of nostalgia and discovery. Whether he’s diving into Travis Barker’s tour stories or compiling essential rock albums, Edwin’s work captures the raw energy and enduring appeal of alternative music.

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