LIVE REVIEW – Biffy Clyro live at Utilita Arena, Cardiff


My first gig of the year sees Scottish powerhouse Biffy Clyro take over Cardiff’s Utilita Arena as part of the Futurique tour.

First up was The Armed. Now I’m not too familiar with their sound but I wasn’t too impressed with the set. Throughout, it was difficult to hear anything other than the lead vocals and drums from where I was stood, which was a shame as it looked like the entire band were having a great time.

Next up was SOFT PLAY and the punks were on form, powering through a range of tracks and getting into the crowd. The crowd, which Laurie Vincent called ‘touchy feely.’

Isaac Holman had the crowd chanting Fuck the Hi-Hat, and a girls-only pit going for Girl Fight.

The crowd cheered as the lights dimmed and silhouettes appeared on the drapes on stage and Biffy Clyro began their set, playing the majority of A Little Love with the drapes hanging.

There was a bit of a difference with the Scots, as James Johnston was missing, with Naomi filling in for him on her birthday, which of course led to Simon Neil leading a rendition of Happy Birthday, and a dedication of Friendshipping to Johnston.

The addition of the violinists on stage was really nice touch and really helped to accentuate the set.

There were a mix of songs played including hits such as Wolves of Winter, Mountains, Machines, Living is a Problem Because Everything Dies, Bubbles and Many of Horror, as well as tracks from the Futurique album like Goodbye and Hunting Season.

Unsurprisingly, Biffy’s set was top notch and a great way to start 2026’s run of shows.



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Edwin Brian

Edwin Brian is a dedicated music journalist who brings a unique perspective to the world of alternative rock. With a deep love for the genre, Edwin's articles cover everything from album reviews and band reunions to music history and the evolution of rock icons. His writing often revisits forgotten gems from the past while also shedding light on emerging artists, offering readers a mix of nostalgia and discovery. Whether he’s diving into Travis Barker’s tour stories or compiling essential rock albums, Edwin’s work captures the raw energy and enduring appeal of alternative music.

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