REVIEW – Castiel – All Returns to Hollow and Silence


Austrian deathcorers Castiel released All Returns to Hollow and Silence on July 24.

The four-act EP combines guttural growls with technical heavy instrumentation and some slick guitar lines dotted throughout.

The drum fills on Act I Defile//Denounce are sick and constant. I love the synths too, they add a haunting and overlay to a low track.

I like the bass in Act III Vile Spirits.

I have to admit it was quite a bland record for me. It’s good, don’t get me wrong, but it just felt more like one massive song rather than four tracks, with not enough to keep me hooked.

There are some good guitar lines throughout, and I love the drum fills but I need a bit more variety when it comes to heavier records.





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Edwin Brian

Edwin Brian is a dedicated music journalist who brings a unique perspective to the world of alternative rock. With a deep love for the genre, Edwin's articles cover everything from album reviews and band reunions to music history and the evolution of rock icons. His writing often revisits forgotten gems from the past while also shedding light on emerging artists, offering readers a mix of nostalgia and discovery. Whether he’s diving into Travis Barker’s tour stories or compiling essential rock albums, Edwin’s work captures the raw energy and enduring appeal of alternative music.

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